It's exiting seeing everyone in costume and seeing the set in actual size. It creates an automatic atmosphere for me personally. When you are faced with the size of the space you realise the scale of the performance. I have learnt how to use my voice correctly, projecting, in a larger space.
As soon as you loose the lines the energy drops and it's hard to get it up again. Be on top of the lines.
I've learnt that it is so important to know the entrences and exits, being in the right place at the right time to make sure your keeping the pace of the piece going.
Placing on stage is extremely important to the definition of the scene. For example the opening scene the blocks have to be placed in the centre of the stage as it visually is the focal point.
Placing on stage is extremely important to the definition of the scene. For example the opening scene the blocks have to be placed in the centre of the stage as it visually is the focal point.
Three tips
•learn lines inside and out and say with energy and meaning
•know your entrences and exits, be in the right place at the right time
•wrote down notes for blocking, movement of blocks and queue lines
Look over responsibilitys, queue lines, movement entrences . Play the energy throughout the transitions. Play the given circumstances, never drop the world you are in and the fight. Don't talk or relax backstage spend time quietly focusing. Invest in the preset. Live in the world.
Work the words, speak them like you have never heard them before.
Work the words, speak them like you have never heard them before.
Personal Notes
Second Zig zag make noise
Make you the sword of us needs to be more powerful
When swapping arm bands, wear nothing then change into red only and wear that for the rest of the time.
Take off balaclava after holding knife up to Coriolanus.
Take off balaclava after holding knife up to Coriolanus.
Scenes we need to look over:
Shefron change
Act 3 scene 6
At 3 scene 8
Dans fight
Kunfoo jig
Riot scene
No comments:
Post a Comment